This quilt was one of the first quilts that my customer had ever made, and she was never quite sure how to quilt it, so it sat around unfinished for a long while. When she found out that I had a long arm she was eager to have me finish it off for her.
This quilt posed many challenges. The first of which were the envelopes themselves. This meant ares of the quilt would not be quilted at all. Second she had already attached the buttons and ties for the envelopes.. Turned out to not to be that big of a deal since I had to avoid the areas anyway. The biggest challenge I faced was the construction of the quilt itself. The background surrounding the envelopes was constructed with the meeting of the on point blocks that held each envelope. The outer part of the background area was finished off with filler triangles. All of this meant that it was a bit puffy with some thick seams (due to the extra envelope fabric). Also the outer border was not in harmony with the sizes in the middle. I knew that I would need to go with a custom job and didn’t want to just go with and all over design that would get trimmed. My original design included just a separate border for the inner background, but I wanted to have it flow better as one space so I found a triangle that came with the square heart pattern I was wanting to use. With the triangular pattern I was able to make the patterns fit the space while keeping it similar to the main background areas.
I decided to make this whole cloth baby quilt for a friend of mine that had a baby girl, after having 2 boys she needed something a bit more girly for this baby. It is constructed with some bamboo batting sandwiched between two layers of Anna Maria Horner cotton Voile. This quilt turned out to be so soft and lightweight for a summer baby, and I made it big enough so that it could be a floor quilt or a swaddling blanket. I used Glide thread for the quilting, which just looks like little jewels on the quilt after it was washed.
When I finally got my longarm I knew that the one pattern that I wanted to complete was Thimbleblossoms Swoon quilt. Since it is such a popular pattern and produces such a large quilt I figured that I would have an oppertunity to quilt one in my near future. After acquiring the pattern I went scouring my stash for 16 coordinating fat quarters and matching background. Somehow I found that I had a full stack of fat quarters from Deynse Schmidt’s Hope Valley line, as well as 5 or so yards of ivory colored Essex both of which were not scheduled for anything in particular. At which point Valley Swoon was born
After pushing through I modified construction of 9 blocks I did not have it in me to add an additional row (even though I had the fabric to do it). Finding enough fabric in my stash for backing was troublesome as well. Since I figured that I would have to piece it and it was a square block on a square quilt I decided to experiment a bit and see how closely I could center the backing on the quilt. So I sized up the swoon block to be the entire back using some DS yardage that I had picked up from Joann’s. Not wanting to make the quilt any heavier than it already was I just paired it with some kona bone to try and match the Essex as close as possible. Since I was not really in love with the quilt yet, I didn’t want to spend too much on it… Although I did end up going back for more kona bone twice..
When I started quilting this quilt I started by basting it through the middle and worked toward both ends. For the quilting I wanted something that would emphasize the circular nature of the blocks and take advantage of the negative space between the blocks. When I found Anne Bright’s wreaths I was intrigued but when I saw that they came in halves that were designed to be used as an E2E pattern I was sold. This meant that as long as I was careful I would have very few stops and starts. I ended up centering the wreath motif in the center of each negative space as well as on top of each star.
Once quilted I started to like the quilt more, but ended up taking it back up to the trainers at my longarm dealer to see what they thought and see if they had any suggestions. They loved it and suggested that I enter it in an up coming quilt show. This meant that I had to go take care attaching the binding and add a sleeve and label on the back. But I figured that it would probably give me some exposure as a new longarm quilter in the area.
I ended up entering it in the modern division of the show, the only division that only receives a first place ribbon, no second and third. So I was not expecting much, other than some good publicity… I was surprised when I walked in to the show to find my quilt hanging with all of the other ribbon winners. Apparently the judge was so impressed with the quality of the quilts in the modern division that two honorable mention awards were given out as well. My Valley Swoon being one of them.